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Pro-Tips and Scripts: Autistic Accessibility in Music
March 26 2019 / Articles
By Chrysanthe Tan
People who want to attend artistic events exist in *all* kinds of bodies and have all kinds of needs. Wrapping up her four-part Introductory Course to Improving Autistic Accessibility in Music, Chrysanthe Tan shares pro-tips, concrete ways to take positive action, and sample scripts for a variety of music-related scenarios.
“This event is probably not unique”: On communication and metaphor in Robert Ashley’s Improvement
March 21 2019 / Articles
By Rebecca Lentjes
Rebecca Lentjes explores communication and metaphor in Robert Ashley’s opera "Improvement (Don Leaves Linda)” and how the work arrives at big ideas through a focus on particular microcosms of American...
Bright Sheng: My Father’s Letter and Bernstein’s Question
March 1 2019 / Conversations
By Frank J. Oteri
Bright Sheng is concerned about directly moving audiences in whatever format or style he is working in and is passionate about sharing what led him to his aesthetic positions.

THE LATEST FROM NEWMUSICBOX AND AROUND THE WEB

Q&A: Autistic Accessibility in Music
This week, Chrysanthe Tan opens up her "Autistic Accessibility in Music" series of columns to address reader-submitted questions, covering topics like sensory-friendly rooms, classroom techniques, wheelchair accessibility, stimming, and more!
Quick Cuts for Big Ears
With only a week to go until the kickoff of the 2019 edition of the Big Ears Festival in Knoxville, TN (March 21-24), we’ve been digging through the NewMusicBox archives...
18 Composers Receive 2019 ASCAP Foundation Herb Alpert Young Jazz Composer Awards
The ASCAP Foundation has announced the 18 recipients and 4 honorable mentions of the 2019 Herb Alpert Young Jazz Composer Awards. The recipients, who receive cash awards, range in age...

Master Guide to Improving Autistic Accessibility in Music
An organized, actionable reference guide to help you enact a permanent framework for autistic accessibility in your musical efforts.
Artist Financial Profile: Tony Manfredonia, Game Music and Orchestral Composer
There is no one way to make a living in music. But knowledge is power, so Adam Schumaker has recruited some amazing musicians who have generously agreed to openly discuss...
At the Intersection of Digital Audible Histories and Experimental Music Practice
Seth Cluett takes NewMusicBox readers on a tour of his fascinating “Sounding Circuits: Audible Histories” exhibition now on display at the New York Public Library for the Performing Arts. It...
An Open Letter From Your Autistic Colleague
Musicians, arts administrators, colleagues: It’s time we talk about autism.
The Voice in the Machine
Our inclination to hear the human in the machine is far from new. Technology is as old as humanity. Perhaps we have always seen—and heard—ourselves in our tools.
‘Singers and Musicians’ Part 2: On Conductors, Identity, and Musical Segregation
Every identity comes with inherent biases, assumptions, and privileges to varying degrees. A helpful exercise is to take an identity and think of the immediate mental image that comes to...
“Hearing” the Hammond Organ
The Hammond Organ became an immediate success when it hit the market in April 1935 and had a major impact on the soundscape of both popular and religious musical life...
Plus Ça Change: Florence B. Price in the #BlackLivesMatter Era
Is the sudden widespread interest in Florence B.Price’s music a convenient fad or does it signal the potential for deeper structural changes over the long term?
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TODAY'S COMPOSER BIRTHDAY
Oliver Schneller

Born: Saturday, March 26, 1966 Cologne, Germany

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