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Myra Melford: Freedom and Form
November 1 2019 / Conversations
By Frank J. Oteri
Myra Melford is equally comfortable performing a blues tune, jamming in a completely free-improvisatory setting with other musicians, or exploring more predetermined structures in the compositions she writes for her own ensembles. “I understand that a lot of what I do works in the jazz context ... Jazz is an inclusive music.”
The Curious Case of Keiko Yamada
November 7 2019 / Articles
By Jennifer Jolley
The evening of August 31 began like most Saturday nights at the start of the fall semester. I was reviewing course plans and readings for the upcoming week, while I...
Truly a Wenren—Remembering Chou Wen-chung (1923-2019)
November 5 2019 / Headlines
By Yi Chen and Long Zhou
Chou Wen-chung is a music giant who mentored us in our creative lives for decades. He has made a huge contribution to the music of our time, yet he is...

THE LATEST FROM NEWMUSICBOX AND AROUND THE WEB

My Journey With Bird Songs
Every day for five weeks, I improvised with songbirds and any other creatures that made their voices heard, and recorded each session. My goal was to become a member of...
Sealing the Deal: Signing the Contract and Completing the Collaboration
Assuming you are setting a completed text in a transactional partnership, you’re now ready to write up your contract, get it signed, and start composing.
Pursuing the Ir Rational
As my understanding of the Inner Ear grows, I ask if it can be separated from the Mind itself. It’s no longer a radical notion that our individual memories have...
What You Get and What You Give: Permission and Compensation for Setting a Text
Who owns what rights will depend on the nature of your collaboration and what you negotiate. For transactional partnerships involving pre-existing text, the author/publisher keeps the copyright of the words,...
Transactional and Collaborative Approaches to Working with Authors
Informed consent is essential for successfully collaborating with writers. However, what each person must be informed about and consent to depends in part on whether the partnership will be transactional...
A Primer on Collaborating with Authors
Introduction I could wax poetic about why composers should set texts by living authors. Some big reasons include texts that stand out amid the sea of well-worn Public Domain poems,...
Tyshawn Sorey: Music and Mindfulness
Tyshawn Sorey’s music emerges from a vast array of experiences, communities, storytelling, and a deep engagement in mentor-mentee relationships. When I listen to his recent works Pillars I, II, III,...
Towards a Framework for Responsible Trans Casting Part 4: The Framework
After pondering a list of 10 questions representing the most frequent and pernicious” you should ask yourself to avoid bad trans writing in opera and music theater, we encourage you...
Irreverent and Profound—Remembering Christopher Rouse (1949-2019)
Chris Rouse was not only one of the great composers of our time, he was also a great friend and colleague.
Answering the Call: Antiphony Between the Music and Social Movements
There is a “call and response” that exists between revolutionary art and meaningful political outcomes.
Creating and Listening in Alaska: My experience with Composing in the Wilderness
Composing in the Wilderness takes composers out into the rugged expanse of Alaska to find inspiration, connect with nature on an intimate level, and bring a new piece of music...
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TODAY'S COMPOSER BIRTHDAY
Lawrence Moss

Born: Friday, November 18, 1927 Los Angeles, California, USA

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