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Bryce Dessner: I’m the Same Musician Wherever I Go
December 1 2019 / Conversations
By Frank J. Oteri
Bryce Dessner has learned different lessons from his immersion into very different kinds of music-making and these lessons have made him a stronger musician, whether he is writing songs and playing lead guitar in the indie rock band The National, co-scoring the soundtrack for the motion picture The Revenant, or composing a double piano concerto for the Labeque sisters.
Teaching Inequality: Consequences of Traditional Music Theory Pedagogy
December 11 2019 / Articles
By Dave Molk
Western art music is not a universal language. It does some things well, other things not as well, and many things not at all. What biases do we create in...
The Artful Toy: Toy Piano Influencers and The Making of an Album
December 4 2019 / Articles
By Ju-Ping Song
I did not come to the toy piano deliberately. Instead, while doing research on John Cage, I went down a rather strange rabbit hole, where I stumbled across a wonderful...

THE LATEST FROM NEWMUSICBOX AND AROUND THE WEB

Lei Liang Wins 2020 Grawemeyer Award for Climate Change-Inspired Piece
Chinese-American composer Lei Liang has won the 2020 University of Louisville Grawemeyer Award for Music Composition for a Boston Modern Orchestra Project commissioned orchestral work titled A Thousand Mountains, a...
How Working with Birdsong Brought Me to New Communities Beyond Music
One never knows where the music will take you, especially if you are willing to explore new pathways. After the release of my recording Birdsongs, the conversations about the music...
Cultural Appropriation in Classical Music?
Though it seems ironic, acultural neutrality is a narrative the West has culturally taught itself. Minute cultural awarenesses break through sometimes, but often the positive changes we are desperate for...
My Journey With Bird Songs
Every day for five weeks, I improvised with songbirds and any other creatures that made their voices heard, and recorded each session. My goal was to become a member of...
The Curious Case of Keiko Yamada
The evening of August 31 began like most Saturday nights at the start of the fall semester. I was reviewing course plans and readings for the upcoming week, while I...
Truly a Wenren—Remembering Chou Wen-chung (1923-2019)
Chou Wen-chung is a music giant who mentored us in our creative lives for decades. He has made a huge contribution to the music of our time, yet he is...
Myra Melford: Freedom and Form
Myra Melford is equally comfortable performing a blues tune, jamming in a completely free-improvisatory setting with other musicians, or exploring more predetermined structures in the compositions she writes for her...
Sealing the Deal: Signing the Contract and Completing the Collaboration
Assuming you are setting a completed text in a transactional partnership, you’re now ready to write up your contract, get it signed, and start composing.
Pursuing the Ir Rational
As my understanding of the Inner Ear grows, I ask if it can be separated from the Mind itself. It’s no longer a radical notion that our individual memories have...
What You Get and What You Give: Permission and Compensation for Setting a Text
Who owns what rights will depend on the nature of your collaboration and what you negotiate. For transactional partnerships involving pre-existing text, the author/publisher keeps the copyright of the words,...
Transactional and Collaborative Approaches to Working with Authors
Informed consent is essential for successfully collaborating with writers. However, what each person must be informed about and consent to depends in part on whether the partnership will be transactional...
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TODAY'S COMPOSER BIRTHDAY
Matt Venuti

Born: Monday, December 15, 1958

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