The Friday Informer: How Hip Do Ya Wanna Be?

The Friday Informer: How Hip Do Ya Wanna Be?

We’re playing a little PowerBook, drooling over Elliott Carter as cover boy, financing 365 days of composition, and marking the death of Mozart’s last contemporary. All of these and more this week in the new music news you can use.

Written By

Molly Sheridan

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Charmed, I’m sure: Elliott Carter melts hearts and weakens knees as Signal To Noise cover boy.
  • “Someday, dozens of Princeton alumni will be able to say that they played a little PowerBook in college.” We can only offer our apologies to the future teenage children of these performers. [via ArtsJournal]
  • Is it still considered screwing around at work if you can also call it art?
  • Consider yourself a musical radical? When is the last time the cops threatened to break up one of your concerts?
  • Fear and loathing in Los Angeles: Mark Swed fears hipsters; finds hope for music’s future in the old minimalist classics. Oh, those funny classical critics.
  • Meanwhile, critic Terry Teachout feels increasing alienated from the concert hall. Was it something we said?
  • “The 365-Day Composition Project: We Are All Mozart” allows composer Dennis Báthory-Kitsz to deal with the insanity, the dream, and the financing of completing a piece every day in 2007. So far, he has completed the spread sheet outlining how he’s to pay for all this madness.
  • And if you still need proof that music people can indeed tie anything to Mozart, just follow the associative thinking. [via therestisnoise]