ASCAP Deems Taylor Awards Honor Excellence in Music Journalism

ASCAP Deems Taylor Awards Honor Excellence in Music Journalism

Frances Richard, Regina Carter, Chris Brubeck
Photo courtesy ASCAP

On December 4, the American Society of Composers, Authors, and Publishers (ASCAP) announced the winners of the 35th Annual ASCAP Deems Taylor Awards at a ceremony that took place at Lincoln Center. The awards, established in 1968 in memory of former ASCAP president, composer, and writer Deems Taylor, encourage excellence in print, broadcast, and new media coverage of music. ASCAP President and Chairman Marilyn Bergman hosted the event, describing the program as “a way of thanking all of those who enrich and educate us about this music.” Winners receive an ASCAP Deems Taylor Award plaque as well as a cash prize.

This year’s ceremony was dedicated to the memory of former Billboard editor and distinguished music journalist Timothy White, who died on June 27, 2002, at the age of 50. The author of acclaimed biographies on Bob Marley, the Beach Boys, and James Taylor, White’s legacy was commemorated with the first-ever Timothy White Award for Musical Biography, which went to Seattle-based author Charles R. Cross for his biography of grunge rock icon Kurt Cobain titled Heavier than Heavy: A Biography of the Life of Kurt Cobain.

Other highlights included a spirited performance by Lubavitcher duo Sruli and Lisa, who encouraged the audience to sing along even if they didn’t know the tune or words. “It never stopped a Hasid from singing,” they joked. The performance was inspired by Ellen Koskoff‘s winning ethnography Music in Lubavitcher Life. In addition, jazz pianist Cyrus Chestnut equated the emotional and spiritual power of words with notes of music before he began a moving performance complementing the award given to Geoffrey Himes for his award-winning profile of the pianist for the Baltimore City Paper.

Paul Moravec, Kyle Gann, Richard Kessler
Photo courtesy ASCAP

This year’s awards also marked an important leap forward for music journalism on the Internet. Susan Elliott, editor of, accepted the 4th annual ASCAP Deems Taylor Internet Award and three awards were given to articles that appeared only in electronic format. Eric Boehlert and won for an 18-part exploration of how radio and independent promoters control what music we hear. NewMusicBox, the Web magazine of the American Music Center, took home two awards, one for Greg Sandow‘s column about kitsch in music and a second for Kyle Gann‘s HyperHistory of American minimalism. All three authors were grateful to the opportunity the Internet provided writers to conceptualize articles that would never work within the space limitations of print publications. Kyle Gann humorously thanked Al Gore “for inventing the Internet” and more seriously thanked the Internet for “giving journalism back the prospect of unlimited space that we lost during the 1990s.”

The event concluded with clips from the Radio Broadcast Award winner Fresh Air with host Terry Gross talking to Branford Marsalis and Television Broadcast Award winner Evening at the Pops: Fiddlers Three, a Boston Pops telecast, which was centered around the premiere of Chris Brubeck’s Interplay for three violinists: classical soloist Nadja Salerno-Sonnenberg, jazz violinist Regina Carter, and Irish fiddler Eileen Ivers.

The complete list of winners:

Awards for authors and publishers

Awards to writers and editors of journal, magazine, and newspaper articles; program notes and/or liner notes and their respective publishers

Radio Broadcast AwardFresh Air: Terry Gross, Host and Co-executive Producer; Danny Miller; Co-executive Producer; WHYY Radio, Philadelphia; National Public Radio

Television Broadcast AwardEvening at Pops: “Fiddlers Three”: Keith Lockhart, Boston Pops Conductor; Bill Cosel, Producer; Chris Brubeck, Composer of Interplay

Internet Award: Susan Elliott, Editor

The Timothy White Award for Musical Biography: Charles R. Cross: Heavier than Heaven: A Biography of Kurt Cobain

ASCAP Deems Taylor Special Recognition Awards:

NewMusicBox provides a space for those engaged with new music to communicate their experiences and ideas in their own words. Articles and commentary posted here reflect the viewpoints of their individual authors; their appearance on NewMusicBox does not imply endorsement by New Music USA.