Yotam Haber was born in Holland and grew up in Israel, Nigeria, and Milwaukee. He received a 2012 Fromm Music Foundation commission, the 2007-2008 Frederic A. Juilliard/Walter Damrosch Rome Prize and a 2005 John Simon Guggenheim Memorial Foundation Fellowship. Recent commissions include two works for Pritzker Prize-winning architect Peter Zumthor; new works for New York-based Contemporaneous, Gabriel Kahane, Either/Or, and Alarm Will Sound; the 2012 Venice Biennale; 2012 Bang on a Can Summer Festival; the Neuvocalsolisten Stuttgart and ensemble l’arsenale; FLUX Quartet, JACK Quartet, Cantori New York, and the Berlin-based Quartet New Generation. He recently completed an evening-length work, A More Convenient Season, that premiered in 2013 with the Alabama Symphony Orchestra, commemorating the 1963 Baptist Church bombing. It will be presented in LA’s REDCAT/Disney Hall in January 2014. Haber is formerly Artistic Director of MATA, the non-profit organization founded by Philip Glass, that has, since 1996, been dedicated to commissioning and presenting new works by young composers from around the world. He is currently working on Voice Imitator, a music and visual art collaboration with recent MacArthur Fellow, Anna Schuleit. In 2013-14, he serves as Visiting Assistant Professor at the University of New Orleans. His music is published by RAI Trade.
Articles by Yotam Haber:
Exploring Naples with visual artists allowed me to see things I would have easily missed on my own.
Can a private institution control its artistic agenda in a way that a public one cannot?
The state of Italian new music is a bit troubling, from what I've seen and heard thus far.
How do I begin translating musical research into a new piece?