DAFNA NAPHTALI is a sound-artist, vocalist, electronic musician and guitarist. A performer and composer of experimental, contemporary classical and improvised music since the mid-90’s, she creates custom Max/MSP programming for her many projects including: sound-processing of her voice and other instruments, music for robots “Robotica”, “Audio Chandelier” multi-channel sound performances and installations, and “Walkie Talkie Dreams” audio augmented reality soundwalks in NY/Germany.
“luminary” (Time Out), “Brilliant and dangerous” All Music Guide.
Articles by Dafna Naphtali:
To finish out this month of posts about live sound processing, I will talk about a few more effects, and some strategies for using them. I hope this information will...
Interaural time difference, interaural level difference, and head shadow are useful not only for an audio engineer, but are also important for us when considering the effects and uses of...
The use of delays in music is ubiquitous. We use delays to locate a sound’s origin, create a sense of size/space, to mark musical time, create rhythm, and delineate form.
Over the past 5-7 years there has been an enormous surge in interest among musicians, outside of computer music academia, in discovering how to enhance their work with electronics and,...