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Frank J. Oteri at the American Academy of Arts and Letters in 2003
906 articles on NewMusicBox
Show activity on NewMusicUSA
3 media items

Frank J. Oteri

New York, NY         

Frank J. Oteri is the composer advocate at New Music USA and the editor of NewMusicBox, which has been online since May 1999. An outspoken crusader for new music and the breaking down of barriers between genres, Frank has written for numerous publications and has also been a frequent radio guest and pre-concert speaker. Frank is also the vice president of the International Society for Contemporary Music (ISCM) and a board member of the International Association of Music Information Centers (IAMIC). Frank holds a B.A. and a M.A. (in Ethnomusicology) from Columbia University where he served as Classical Music Director and World Music Director for WKCR-FM.

Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality. His music has been performed in venues ranging from Carnegie’s Weill Recital Hall and the Theatre Royal in Bath, England to the Knitting Factory, the Andy Warhol Museum in Pittsburgh, and PONCHO Concert Hall in Seattle where John Cage first prepared a piano. Among his most widely performed compositions are: Imagined Overtures, a 36-tone rock band piece that has been performed around the country and is the centerpiece of a 2009 CD by the Los Angeles Electric 8; and Last Minute Tango which pianist Guy Livingston has toured around the world and paired with a short film by Thijs Schreuder on his DVD One Minute More. MACHUNAS, a performance oratorio inspired by the life of Fluxus-founder George Maciunas which Oteri created in collaboration with Lucio Pozzi, received its world premiere during the 2005 Christopher Summer Festival in Vilnius, Lithuania; that performance can be streamed in its entirety from the website of the Other Minds Video Archive. Oteri’s most recent works include: Love Games, a setting for girls chorus, harpsichord, and two tambourines of three poems by the Elizabethan sonneteer Mary Wroth which was commissioned and premiered by the Young People’s Chorus of New York City under the direction of Francisco J. Núñez for their Radio Radiance series; (not) knowing the answer, a setting of six sijos by James R. Murphy for unaccompanied vocal ensemble in 13-limit just intonation; and Counting Time in Central City, a setting for unaccompanied SATB chorus of three poems by Charles Passy commissioned by Central City Chorus for their 35th anniversary season, which received its world premiere performance in New York City in June 2016.

Oteri’s most recent composition, Already Yesterday or Still Tomorrow (2020), will receive its world premiere on January 23, 2021 at 7:30pm CST in a performance by the South Dakota Symphony Orchestra under the direction of Delta David Gier which will be streamed for free live from Sioux Falls’ Washington Pavilion on the South Dakota Symphony’s Facebook page as well as on the website for South Dakota Public Broadcasting. (An additional performance of the work will be streamed live from South Dakota State University’s Oscar Larson Performing Arts Center on Sunday, January 24 at 2:30pm CST.)

In 2007, Oteri was the recipient of ASCAP’s Victor Herbert Award for his “distinguished service to American music as composer, journalist, editor, broadcaster, impresario, and advocate” and, in January 2018, he received the Composers Now Visionary Award. For more information, visit fjoteri.com.

Articles by Frank J. Oteri:

Conversations July 1 1999 | By Frank J. Oteri
The Ravinia Festival: A talk with Zarin Mehta

During his tenure as the President and CEO of The Ravinia Festival, Zarin Mehta (would would later become Executive Director of the New York Philharmonic), explained the delicate balancing act...

Articles July 1 1999 | By Frank J. Oteri
How Festivals can Attract New Audiences to American Music

Frank J. OteriPhoto by Melissa Richard Five years ago some friends of mine drove me down to a bluegrass festival in Stumptown, West Virginia — a more than 10 hour...

Conversations June 1 1999 | By Frank J. Oteri
Foster Reed of New Albion Records

One of the original "indie-classical" labels, San Francisco-based New Albion Records defined the West Coast Sound and helped to launch the careers of John Adams, John Luther Adams, Ingram Marshall,...

Articles June 1 1999 | By Frank J. Oteri
American Music and the Future of the Recording Industry

The sad reality of being unable to hear a large amount of American repertoire or new music of any national origin in the concert hall or on the radio is...

Conversations May 1 1999 | By Frank J. Oteri
The Who and Why of Bang on a Can

For the premiere issue of NewMusicBox (May 1999), the three founders of Bang on a Can--Michael Gordon, Julia Wolfe, and David Lang--met at ASCAP for a lengthy conversation with Frank...

Articles May 1 1999 | By Frank J. Oteri
Taking Charge of American Music

Frank J. OteriPhoto by Melissa Richard In 1939, six American composers joined forces to create the American Music Center, the first-ever information center devoted to the promulgation of new music....