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Frank J. Oteri at the American Academy of Arts and Letters in 2003
877 articles on NewMusicBox
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Frank J. Oteri

New York, NY         

Frank J. Oteri is the composer advocate at New Music USA and the co-editor of NewMusicBox, which has been online since May 1999. An outspoken crusader for new music and the breaking down of barriers between genres, Frank has written for numerous publications and has also been a frequent radio guest and pre-concert speaker. Frank also serves on the Executive Commmittee of the International Society for Contemporary Music (ISCM) and chairs the Communication Committee of the International Association of Music Information Centers (IAMIC). Frank holds a B.A. and a M.A. (in Ethnomusicology) from Columbia University where he served as Classical Music Director and World Music Director for WKCR-FM.

Frank’s own musical compositions reconcile structural concepts from minimalism and serialism and frequently explore microtonality. His music has been performed in venues ranging from Carnegie’s Weill Recital Hall and the Theatre Royal in Bath, England to the Knitting Factory, the Andy Warhol Museum in Pittsburgh, and PONCHO Concert Hall in Seattle where John Cage first prepared a piano. Among his most widely performed compositions are: Imagined Overtures, a 36-tone rock band piece that has been performed around the country and is the centerpiece of a 2009 CD by the Los Angeles Electric 8; and Last Minute Tango which pianist Guy Livingston has toured around the world and paired with a short film by Thijs Schreuder on his DVD One Minute More that can be streamed from the website of NPR. MACHUNAS, a performance oratorio inspired by the life of Fluxus-founder George Maciunas which Oteri created in collaboration with Lucio Pozzi, received its world premiere during the 2005 Christopher Summer Festival in Vilnius, Lithuania; that performance can be streamed in its entirety from the website of the Other Minds Video Archive. Oteri’s most recent works include: Love Games, a setting for girls chorus, harpsichord, and two tambourines of three poems by the Elizabethan sonneteer Mary Wroth which was commissioned and premiered by the Young People’s Chorus of New York City under the direction of Francisco J. Núñez for their Radio Radiance series; (not) knowing the answer, a setting of six sijos by James R. Murphy for unaccompanied vocal ensemble in 13-limit just intonation; and Counting Time in Central City, a setting for unaccompanied SATB chorus of three poems by Charles Passy commissioned by Central City Chorus for their 35th anniversary season, which received its world premiere performance in New York City in June  2016.

Ironically, Oteri’s most recent composition, Dually, is also his oldest. It is based on material from his earliest piece of chamber music which was written after becoming intrigued about instrumental composition due to his high school music teacher, Dr. Lionel “Lee” Chernoff, shortly before turning 15 in 1979. Chernoff died in December 2016 prompting Oteri to re-examine that music which led to a realization that it contained anagrams of Chernoff’s name inspiring a “new” work for alto saxophone and guitar which was performed by the Duo Montagnard (Joseph Murphy and Matthew Slotkin) in the rotunda of Bronx Community College’s Gould Memorial Library on April 26, 2017 and again at the First Presbyterian Church of Elmira, New York on Friday, December 8, 2017.

In 2007, Oteri was the recipient of ASCAP’s Victor Herbert Award for his “distinguished service to American music as composer, journalist, editor, broadcaster, impresario, and advocate” and, in January 2018, he received the Composers Now Visionary Award. For more information, visit fjoteri.com.

Articles by Frank J. Oteri:

Articles November 1 1999 | By Frank J. Oteri
The 60th Anniversary of the American Music Center

Frank J. OteriPhoto by Melissa Richard November is an important month here at the American Music Center. Sixty years ago this month, the dreams of Aaron Copland, Howard Hanson, Otto...

Articles November 1 1999 | By Frank J. Oteri
Soundtracks: November 1999

There are over 60 American composers featured in this month’s round-up of new recordings, which is a wonderful way to celebrate the 60th anniversary of the American Music Center this...

Conversations October 1 1999 | By Frank J. Oteri
Tod Machover: Technology and the Future of New Music

Tod Machover shares some of the extraordinary new musical interfaces he has been creating at the MIT Media Lab and explains how and why these new technologies will redefine music...

Conversations September 1 1999 | By Frank J. Oteri
The Philadelphia Orchestra at 100

To celebrate The Philadelphia Orchestra's centenary on November 16, 2000, the artistic and management team of the orchestra decided to devote their entire 2000-2001 concert season exclusively to music composed...

Articles September 1 1999 | By Frank J. Oteri
The Orchestra in Contemporary American Musical Life

Frank J. OteriPhoto by Melissa Richard Is the orchestra a viable contemporary American institution? That’s a question that’s been on a lot of people’s minds both within and outside the...

Conversations August 1 1999 | By Frank J. Oteri
Tania León: What it Means to be an American Composer

Although raised in Cuba, Tania León was born into a family that had roots from all different parts of the globe. Since arriving in the United States, where she has...

Articles August 1 1999 | By Frank J. Oteri
What is American Music?

Frank J. OteriPhoto by Melissa Richard America is a land of immigrants and the culture of America has been formed and reshaped time and time again by the immigrants whose...

Conversations July 1 1999 | By Frank J. Oteri
The Ravinia Festival: A talk with Zarin Mehta

During his tenure as the President and CEO of The Ravinia Festival, Zarin Mehta (would would later become Executive Director of the New York Philharmonic), explained the delicate balancing act...

Articles July 1 1999 | By Frank J. Oteri
How Festivals can Attract New Audiences to American Music

Frank J. OteriPhoto by Melissa Richard Five years ago some friends of mine drove me down to a bluegrass festival in Stumptown, West Virginia — a more than 10 hour...