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Mari Esabel Valverde

Fort Worth, TX            

Award-winning composer and singer Mari Esabel Valverde (b. 1987) has been commissioned by the American Choral Directors Association, Texas Music Educators Association, Seattle Men’s and Women’s Choruses, and Boston Choral Ensemble among others and has appeared with Dallas Chamber Choir, Vox Humana, and EXIGENCE (Detroit). She was a featured composer at the 2016 Gay and Lesbian Association of Choruses Festival, where her “Our Phoenix” was premièred by six collective ensembles from the United States and Canada. Her works are published by earthsongs and Walton Music and self-published.

Fluent in Spanish and French, she actively studies Brazilian Portuguese and Swedish. She has translated numerous vocal works and documents including a phonetic guide of Ravel’s opera L’Enfant et les Sortilèges. Based in North Texas, she taught voice at the high school level for over six years. Her former students have participated in All-State Choirs and State Solo Competition. She currently teaches singing and transgender voice training with TruVoice Lessons.

She holds degrees from St. Olaf College, the European American Musical Alliance in Paris, France, and San Francisco Conservatory of Music. She is a member of the American Choral Directors Association, the American Composers Forum, and the American Society of Composers, Authors, and Publishers.

Articles by Mari Esabel Valverde:

NewMusicBox January 28 2016 | By Mari Esabel Valverde
Courting the “Lay” Listener

What musicians create serves many purposes, but it is all in vain if we are not genuinely connecting with the listeners. We owe it to ourselves to deepen their listening...

NewMusicBox January 21 2016 | By Mari Esabel Valverde
Where Is Do?

When presented with new music, there is a question my voice students ask in quiet panic: “Where is do?” According to the established choral curriculum, we just cannot agree.

NewMusicBox January 14 2016 | By Mari Esabel Valverde
Con vibrato ma non troppo: Rethinking Sopranos

Why as professionals do we perpetuate, and why as composers do we imitate, the sound of a soprano section comprised of pre-pubescent boys? Why insist on the misunderstanding that adult...

NewMusicBox January 7 2016 | By Mari Esabel Valverde
An Atheist Composer on Choral Music

Have you wanted to compose choral music but have not—or have you ignored the contemporary choral scene altogether—because of its religious association?