Megan Ihnen is a “new music force of nature.” The act of live performance is integral to Megan’s work and her performances thrive on elaborate sound worlds and fully-developed dramatic interpretations. Through narrative and non-narrative musical storytelling, she explores the subjects of memory, nostalgia, the perception of time, and relationships. Whether through chamber music, staged recitals, opera, or large ensemble soloist work, she emphasizes the full range of vocal sounds, timbres, colors, and uses that characterize the 21st century voice.
Articles by Megan Ihnen:
New Music Creator Development Fund raises $50,000 in first weeks of campaign, bringing fund total to $150K. Seeking additional $50K in match funding by Feb 28.
The New Music Creator Development Fund offers grants to individual music creators who need support to get to the next stage of their creative practice in the context of the...
New Music USA announces the launch of Reel Change: The Fund for Diversity in Film Scoring, powered by SESAC and composer and film scorer Christophe Beck, and administered by New...
New Music USA announces three new appointments to its Board of Directors: Aja Burrell Wood, Susan Wegleitner, and Joseph Young. This follows the recent appointment of Co-Chairs Reena Esmail and Joe...
Reena Esmail and Joe Walker’s co-chairing partnership will increase New Music USA’s capacity to draw from multiple perspectives as the organization responds to the shifting needs of the new music...
New Music USA announces today its new Board leadership model which unites the talents of composer Reena Esmail and business executive Joe Walker as co-chairs of this national organization embarking on a new phase of development.
Megan Ihnen was worried. Getting mired in small tasks without a big vision kept her incessantly “busy” but accomplishing very little until she felt completely burnt out. In the end,...
When we perform with care for the holistic audience experience as well as care for the composer’s works, we can create a "social act" that is akin to magic.
It is absolutely reductive to think of music being solely either for the performer or for the audience. This is a both/and situation because we all get something different out...