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6 articles on NewMusicBox
Show activity on NewMusicUSA
3 media items

Fahad Siadat

Los Angeles, CA            

Fahad Siadat creates interdisciplinary works, folding words, sound, and movement into ritualistic narratives. He is a frequent soloist with such groups as The Industry and PARTCH, and has had his music performed in Europe, China, and across the United States. Fahad is artistic director of HEX Vocal Ensemble and is co-artistic director of The Resonance Collective. In 2012, he founded See-A-Dot Music Publishing, a company devoted to the advocacy of adventurous choral music.

Articles by Fahad Siadat:

NewMusicBox July 22 2020 | By Fahad Siadat
Innovations and Experimentations in Distanced Choral Singing

While the entire music sector has been affected by the coronavirus pandemic, the choral community has been hit especially hard. There might not be a safe way for choirs to...

NewMusicBox June 18 2020 | By Fahad Siadat
Reflections on Segregation and Representation in Choral Music

In the wake of global demonstrations and protests against police brutality and racial discrimination, I’d like to use this opportunity to take a broad look at the choral landscape in...

NewMusicBox March 26 2018 | By Fahad Siadat
Exploring Timbre in Choral Music

In choral music, timbral varieties are generally confined to specific styles and genres. But now there’s a growing body of work incorporating a variety of timbres that is accessible to...

NewMusicBox March 19 2018 | By Fahad Siadat
Giving Singers Creative Control

Composers can open up a whole new world of sound and textural possibilities through the use of indeterminate sections in a piece, whereby individual voices break away from others in...

NewMusicBox March 12 2018 | By Fahad Siadat
The New Polyphony

The future of choral music will embrace techniques that preserve the horizontal approach to writing, while maintaining accessibility and not falling into anachronistic musical styles.

NewMusicBox March 5 2018 | By Fahad Siadat
The Future of Choral Music

Highly chromatic or atonal music is rarely written for choirs, and the deep exploration of timbre found in instrumental pieces from later in the 20th century has mostly been ignored...