Patrick ZimmerliNew York, NY
“Irresistible energy seemed to come from everywhere: classical forms, jazz harmonies, and Arvo Pärt-like meditativeness, were all on tap, and the last bars were pure Romanticism.” —The New York Times
Patrick Zimmerli is a New York- and Paris-based composer and saxophonist. His latest CD, Sun on Sand, with Joshua Redman and the string quartet Brooklyn Rider, was released on Nonesuch Recordings in October, 2019. This marks his second collaboration with Nonesuch, following Modern Music, his two-piano CD featuring Kevin Hays and Brad Mehldau.
Other collaborators across the jazz, classical, choral and new music spectrum include Luciana Souza, the Knights Orchestra, the Escher String Quartet, the Paris Percussion Group, Mikrokosmos, and French pianist Thomas Enhco.
Over a nearly 30-year career Zimmerli has written numerous orchestral, chamber and choral works, including two four-movement Piano Trios for the Seattle Chamber Music Festival and two four-movement Piano Concertos with jazz percussion, for Metamorphosen Chamber Orchestra with pianists Ethan Iverson and Sonia Rubinsky.
Specializing in large-scale projects, he has written many evening-length works, including Clockworks, a Chamber Music America New Jazz Works Grant for jazz quartet, premiered at (le) Poisson Rouge and released as a CD in 2018. In 2017 he wrote Alan Seeger: Instrument of Destiny, an oratorio for male choir, operatic tenor, jazz percussion and piano on the work of Alan Seeger, premiered at the storied Invalides in Paris; it was reprised in Reims and at the Fondation Boghossian in Brussels, with a New York premiere at Cathedral of St. John the Divine in November, 2019. In 2016 he created a site-specific piece entitled Waterfall/Gathering Pools for the Centre Pompidou in Paris and the Paris Percussion Group.
Upcoming projects include a major composition for Chicago-based ensembles across the jazz, classical, new music, choral, and vocal spectrums called Views of Chicago; a second commission from the Seattle Commissioning Club for Messages, an evening lenght work for jazz/classical piano, saxophone quartet, bass and percussion (premiere December 2019); and a Concerto for Flute, Jazz Percussion, and String Orchestra for Jasmine Choi, Satoshi Takeishi and the New York Classical Players. From 2016-17 Zimmerli curated the INTERSECT festival in Bryant Park in Manhattan, and is developing a series called Now and Then juxtaposing old and new music for National Sawdust and WNET.
Zimmerli’s music has been performed at Carnegie Hall and Town Hall in New York, Wigmore Hall in London, Salle Pleyel in Paris, Sala São Paolo in Brazil, the Vienna Konzerthaus Grosser Saal and the SF Jazz Center. It has been featured in MoMA’s Summergarden series, at the Guggenheim Museum, on NPR and at the Jazz Composers’ Collective, and has been recorded on the Naxos, Nonesuch (Warner), Blue Note, Arabesque, Antilles, Songlines, Jazz City, Nouvelle and Naïve labels.
Brad Mehldau, Kevin Hays, Pianos
from the CD “Modern Music”
released in 2011 on Nonesuch Recordings
If you didn't know it already, you'll see that Ethan Iverson has an extremely interesting and idiosyncratic take on new music based on years of serious study and experience from which...
Early next year a CD will be released featuring my compositions on Nonesuch Records. I’m very excited about the recording, which features Joshua Redman, one of today’s greatest working jazz...
Is music meant to be ephemeral or enduring? And indeed, are those two goals consonant with one another, or at odds?