MEET US QUICKLY WITH YOUR MERCY: Part 2 of the Decarceration Trilogy
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Flyaway Productions announces the world premiere of MEET US QUICKLY WITH YOUR MERCY
Flyaway Productions presents the world premiere of MEET US QUICKLY WITH YOUR MERCY, the second in The Decarceration Trilogy, a series of outdoor, aerial public art performances addressing the devastating effects of mass incarceration. MEET US QUICKLY WITH YOUR MERCY is presented in partnership with the Museum of African Diaspora, Prison Renaissance, Bend the Arc Jewish Action, and through CounterPulse’s curated co-production program.
It will take place on the exterior facades of CounterPulse (80 Turk Street, SF, CA 94102) as well as the Dahlia Hotel next door with eight performances at 7:30pm and 9:00pm, Friday and Saturday, October 9, 10, 16 and 17, and an additional performance at 7:30pm on Thursday, October 15. All performances are free. For health and safety reasons due to ongoing COVID-19 crisis, audience size at each showing will be sharply limited. Reservations will be available through counterpulse.org.
Choreographer & Director: Jo Kreiter
Lead Writer: Rahsaan Thomas
Dancers: Bianca Cabrera, Clarissa Dyas, Laura Elaine Ellis, Sonsherée Giles, Maddy Lawder, Megan Lowe, Helen Wicks
Composer: Jewlia Eisenberg Set Designer: Sean Riley Lighting Designer: Jack Beuttler
Costume Designer: Jamielyn Duggan
The world premiere of MEET US QUICKLY WITH YOUR MERCY is supported by The John Simon Guggenheim Memorial Foundation, Fleishhacker Foundation, Kenneth Rainin Foundation, Zellerbach Foundation, Creative Work Fund, MAP Fund, Bill Graham Foundation, National Endowment for the Arts, California Arts Council, San Francisco Arts Commission, San Francisco Grants for the Arts and New Music USA.
MEET US QUICKLY WITH YOUR MERCY is the second work in Flyaway’s The Decarceration Trilogy (2018-2021).
Jo Kreiter has been contemplating the shared pain of Jewish and African-American histories of race and capture since the incidents of white supremacist, neo-Nazi violence in Charlottesville, NC and in Squirrel Hill, PA. With MEET US QUICKLY, she wants to link the fracture felt by women such as herself who are sucked into secondary incarceration, with a specifically Jewish dehumanization that flourished in the 20th century and is becoming bolder today.
Historically, Black-Jewish relations in the U.S. have emerged from a long trajectory of solidarity and discord. Shifts date from deep unity in the Civil Rights era; to divisions following the 6-day war in Israel and a split between Jews loyal to Israel and Blacks focused on Israel in an anti-imperial context; to present day alarm over the rise of White Nationalism and the crisis of mass incarceration.
By way of ART AS ACTIVISM, Jo is working to catalyze this harsh political moment as an opportunity for greater reconciliation between the Black and Jewish communities. Acknowledging the complicated, problematic, and honorable history of solidarity between Black and Jewish movements for social change, she is posing the question, “How can Jewish voices amplify the call for racial justice via an end to mass incarceration?”
She is exploring this question in a spectacular physical language, within an intersectional feminist framework, and with a coalition of Black and Jewish voices. Committed partners to MEET US QUICKLY are the Museum of the African Diaspora; Bend the Arc, an organization for Jewish Action; and PRISON RENAISSANCE. They are activists, individuals, and non-profits who have the capacity to mobilize resources, networks, audiences.
The performance will take place on the exterior of Counterpulse – a three-story building in SF’s Tenderloin, a diverse community with a 50.6% poverty rate. We will be working ½-block away from a halfway house run by GEO, one of two large, privately owned companies that operate private prison facilities in the U.S. Its occupants are primarily black men.
Using the walls, corners, and shelves of the theater’s exterior façade, Jo will suspend multiple frames of steel bars that allow the dancers to resist capture. The soundscore will be rooted in Jewish ethnomusicology and include Black acts of resistance to the prison system, as articulated by Rahsaan Thomas and including contemporary, national efforts to build “new terrains of justice” —a phrase coined by Angela Davis.
PROJECT OUTCOMES TO ADVANCE THE FIELD OF RACIAL JUSTICE:
• 10 free, site-specific performances for 5,000 people.
• Temporary art exhibition of art by Prison Renaissance at MoAD and CounterPulse. Rashaan Thomas will direct the visual artists from within San Quentin.
• An evening of conversation hosted by MoAD and curated by MoAD and Bend the Arc, bringing Black and Jewish communities to discuss race and capture.
• A suite of actions designed by Bend the Arc, to inspire personal action to end White Supremacy, such as phone banking, door to door work or letter writing.
TENDER (n.) is a site-specific dance celebrating 100 years of outcast activism in The Tenderloin. Co-produced with the Tenderloin Museum, Asian Art Museum, CODE Tenderloin, and The Cadillac Hotel.
Performance: 40 minutes
Location: The Cadillac Hotel (380 Eddy, SF, CA)
On-the-street residency: April 1 – June 7, 2018
Performances: June 7-9, 2018
Choreography: Jo Kreiter
Original score: Vân-Ánh Võ
Set design: Sean Riley
Dancers: Bianca Cabrera, Laura Elaine Ellis, Sonsherée Giles, Marystarr Hope, Yayoi Kambara, Megan Lowe, and Honey Mahogany.
A site-specific dance asserting women’s credibility.
Performance length: 40 minutes
Location: UC Hastings College of Law outdoor wall (333 Golden Gate, SF, CA)
On-the-street residency: April 1- May 25, 2017
Premiere Performances: May 25-27 and June 1-3, 2017
Restaged for CAL Performances commission at 12th Street Oakland: October 6-7, 2017
Choreography/Direction: Jo Kreiter
Composers: FR333 (MADlines and XOA)
Dancers: Bianca Cabrera, Sonsherée Giles, Marystarr Hope, Yayoi Kambara,
Megan Lowe, and Sonya Smith
Jewlia Eisenberg and Charming Hostess perform EAT: A hoedown where bodacious babes belt the blues in Bulgarian while a punk-klezmer band rocks out in accompaniment. Featuring the Charming Hostess big band, EAT blends eerie harmonies, complex rhythms, and a playfulness about gender: it’s Girly-Punk/Klezmer-Funk. New-2007 reprint of 1999 original.
Start and End Dates
06/01/2019 — 10/20/2020
San Francisco, California