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Paper Pianos World Premiere / Mary Kouyoumdjian + Alarm Will Sound

An evening-length theatrical work exploring the dislocation, longing, and optimism of refugees.


Paper Pianos​ is an evening-length theatrical work composed by Armenian-American Mary Kouyoumdjian and performed by contemporary ensemble Alarm Will Sound exploring the dislocation, longing and optimism of refugees. Combining the spoken narratives of four refugees and resettlement workers with the intricate hand-drawn animations of Syrian visual artist Kevork Mourad, Paper Pianos vividly depicts the dramatic emotional landscape of displacement and resettlement experienced by refugees throughout the world.

During a time when the media is saturated with sensationalist news images surrounding the refugee crisis, this piece instead highlights four human voices: the Afghan pianist Milad Yousufi, Getachew Bashir (Ethiopia), Hani Ali (Somalia), and Akil Aljaysh (Iraq); creating a space for the audience to experience empathy. Milad Yousufi fled to New York from Kabul, where he lived under the Taliban’s threat for pursuing music. His story of painting piano keys on paper to teach himself to play in silence, thus avoiding life-threatening censure from the authorities, gives the piece its name. Getachew Bashir, a high-ranking judge in Ethiopia, left his country when the judiciary and his independence threatened to become co-opted by the regime. Hani Ali was a child of the refugee experience, born on the run and coming of age as a young girl negotiating the terrors of being stateless in a displacement camp. Akil Aljaysh—from a prominent family—fled Iraq after being tortured, and worked his way through Syria and Lebanon to the US.

Kouyoumdjian’s score uses these recorded testimonies as integral compositional elements, and draws on folk-music and contemporary-music practices. She says: “I come from refugee parents forced to immigrate to the U.S. as a consequence of the Lebanese Civil War. And my parents come from refugee parents forced to escape to Lebanon from Turkey during the Armenian genocide of 1915. Experiences like Milad Yousufi’s resonate with me, and topics of wartime, genocide, and one’s relationship to ‘home’ have played a large role in my music.” Kevork Mourad’s extraordinary hand drawings animate the narrative, evoke the journeys of the participants, and serve as a physical element with which Alarm Will Sound’s musicians interact.

EMPAC has commissioned Alarm Will Sound’s staged performance of Paper Pianos as part of the 2021 season, and will provide the artists with multiple production residencies to develop the visual and theatrical elements. The work will premiere at EMPAC in September 2021 in the center’s 400-seat proscenium theater—a venue that incorporates theatrical technology and capabilities previously found only in the most advanced stage spectacles. As quiet as a recording studio with the infrastructure of an HD video studio, the low stage and superb acoustics allows for tangible proximity between audience and performers.

Paper Pianos​ is a vivid, compelling and evocative contemplation of global issues expressed through individual stories of loss and transcendence. The live performance of narrative, music, theatricality and visual gesture engages audiences viscerally in one of the pressing problems of today’s world, distilled down to the heartfelt immediacy of real-life experience.

Project Media

Spotlight on “Paper Pianos” by Mary Kouyoumdjian
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Composer Mary Kouyoumdjian and Alarm Will Sound Theatrical Director Nigel Maister discuss “Paper Pianos,” their upcoming work for Alarm Will Sound.

Music from “Paper Pianos” by Mary Kouyoumdjian performed by Alarm Will Sound.

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Features: Kevork Mourad

Witness Syrian-Armenian visual artist Kevork Mourad create a work of art. As the Museum’s first artist in residence, Mourad transformed Gallery 1 into his studio, and visitors were invited to watch as he used the entire space for his acclaimed “spontaneous painting” technique, at times collaborating with clarinetist Majd Sukar. With the assistance of OCAD students, Mourad created his largest artwork to date, Memories of the Stones, in only 13 days. The immersive six-layer piece speaks to the necessity of sharing histories and creating together.

Start and End Dates



Troy, New York

Project Created By

Troy, New York
EMPAC — The Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute is where the arts, sciences, and technology meet under one roof and breathe the same air. Four exceptional venues enable audiences, artists, and researchers to inquire, experiment, develop, and experience the ever-changing relationship between our senses, technology, and the worlds…

In Collaboration With

Brooklyn, New York
New York, New York


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